Interpol have honed their craft over 20 years since they ‘blasted’ onto the scene in 2002 with Turn On The Bright Lights - another one of those infamous overnight successes (actually the culmination of five years of hard graft). The album received a 9.5 Pitchfork review, with music journalist Eric Carr expressing unobjective fandom with some pretty colourful adjectives:

“Interpol's debut full-length is wrought with emotional disconnection and faded glory, epic sweep and intimate catharsis.”

Indeed. Yet this band, somewhat badged over the years as art-rock, gloom-rock and what have you - has changed over 25 years - to the extent that The Other Side Of Make Believe surprised their immediate circle of friends, management, label, publishers. 

Interpol has seen almost every longevity trend this podcast has discovered: the much hyped yet long-in-coming debut, the adventure with major labels and global stardom (and then being dropped), the madness of the rock & roll lifestyle, the loss of a founding member (bassist Carlos Dengler left in 2009) and the realisation that the industry they are part of isn’t all it’s cracked up to be. Since Interpol came on the scene, everything about the music industry has changed, yet Interpol has built on a distinctive and sturdy brand.  There is a sense of the collective unit about everything they do. As Daniel puts it: 

“I would bet on Paul and Sam as creative forces every time.”

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