Investigative journalist David Marr discusses confronting dark family history in 'Killing for Country'. He explores shame, personal reflections, and the impact of Australia's history. The podcast delves into acknowledging atrocities, cultural narratives, and progressing as a nation.
David Marr confronts his family's atrocities with honesty in 'Killing for Country.'
Marr's narrative approach sheds light on colonial violence complexities for societal progress.
Deep dives
Unflinching Examination of Family History and National Impact
David Ma's book 'Killing for Country' delves into the violent past of his ancestors, prominent in the Queensland native police that allegedly killed over 40,000 Indigenous Australians. Unlike many who seek to absolve ancestors, Ma confronts his family's atrocities with unflinching honesty, highlighting the human cost.
Challenges in Confronting Historical Truths and Family Histories
The conversation between Michael Williams and David Ma navigates the intricate balance of discussing tough topics with journalists. Ma's refusal to justify or excuse his forebears' actions in his book 'Killing for Country' stands out, emphasizing the need for holding individuals accountable for past atrocities.
Narrative Power in Uncovering Dark History and Promoting Understanding
David Marr's exploration of the Queensland native police's brutal history through personal biographies creates a unique narrative lens in 'Killing for Country.' By intertwining individual stories with broader historical context, Marr sheds light on the complexities of colonial violence, emphasizing the importance of truthful storytelling for societal progress.
For many Australians, facing the reality of this country is a task that has proved enduringly difficult, both at a public and a political level. For investigative journalist David Marr, finding the right way to tell the stories that allow us to see the truth of our history is a personal quest and one that has led to his latest book. In this episode of our sister podcast, Read This, Michael talks with David about shame – both personal and national – and why his family agreed that he had to write Killing for Country.
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