New Books in Native American Studies Jen Rose Smith, "Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic" (Duke UP, 2025)
Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation.
Yet, in Ice Geographies: The Colonial Politics of Race and Indigeneity in the Arctic (Duke UP, 2025), Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations.
Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks?
Works mentioned in the episode:
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Darcie Bernhardt, an Inuvialuk/Gwichin artist from Tuktuyaaqtuuq whose work is on the cover of Jen Rose Smith’s book, Ice Geographies.
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“The Arctic is Not White” by asinnajaq in Inuit Art Quarterly, 35 (4), Winter 2022.
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Borealis, by Aisha Sabatini Sloan
Jen Rose Smith is an Assistant Professor of American Indian Studies and Geography at the University of Washington. She is a dAXunhyuu (Eyak, Alaska Native) geographer interested in the intersections of coloniality, race, and indigeneity.
Chrystel Oloukoï is an Assistant Professor of Geography at the University of Washington, Seattle. Their upcoming manuscript, black nocturnal explores imaginations of the night in Lagos and the afterlives of colonial technologies of temporal discipline.
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