
Front Row Artist Sam Taylor Johnson and Oscar winning film-maker Sian Heder
Nov 4, 2026
Sam Taylor-Johnson, the acclaimed artist and filmmaker, discusses self-portraits, celebrity, friendship and photographing icons. Oscar-winning filmmaker Sian Heder explores Judy Heumann’s disability-rights activism and bringing the radical 504 sit-in to the screen. Writer Alexander Linklater, Hugh MacDiarmid’s authorised biographer, examines the poet’s bold modernist masterpiece, political contradictions and enduring impact on Scottish literature.
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Self-Portraits As Emotional Check-Ins
- Sam Taylor-Johnson uses self-portraits as subconscious check-ins on her emotional state and past endurance.
- For Self-Portrait With Dark Water, she spent years testing baths, pools, and oceans before photographing herself at Los Angeles’s Chateau Marmont.
Giving Actors Permission To Be Vulnerable
- The Crying Men series explored male ego by asking actors to cry as themselves rather than within a film narrative.
- Forrest Whitaker began crying before the camera was loaded, showing how the request itself could grant permission for vulnerability.
Leaving The YBA Spotlight Behind
- Sam Taylor-Johnson stepped away from the YBA spotlight when public attention began entering her work and making it feel inauthentic.
- After 15 or 16 years without an exhibition, she returned when the work came from readiness rather than pressure.


