LARB Radio Hour

Looking Back: 'Once Upon a Time in Harlem'

Oct 16, 2026
David Greaves, a documentary director and cinematographer, and his daughter Liani Greaves, a film producer and archival preservationist, discuss completing William Greaves’s long-lost portrait of the Harlem Renaissance. They revisit a legendary gathering of artists and activists, creative clashes over Black art and identity, forgotten networks of patrons and institutions, and the power of community, proximity, and preservation to keep cultural history alive.
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ANECDOTE

A Family Restores 60,000 Feet Of History

  • William Greaves repeatedly revisited the unfinished project from the 1980s through the 2000s without completing it.
  • After Louise Archambault-Greaves secured restoration funding, the family prioritized making 60,000 feet of footage publicly accessible.
ANECDOTE

Filming Harlem While The History Happened

  • David Greaves remembers the 1972 gathering mainly as demanding camera work rather than a social event.
  • Four cameras moved through three rooms while crews changed magazines every ten minutes and followed conversations William directed.
INSIGHT

Conflict Was William Greaves’s Creative Engine

  • William Greaves treated conflict as a creative force that could generate a film’s energy and structure.
  • He deliberately gathered strong personalities, then used vérité cameras and editing to preserve their theatrical disagreements.
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