Robert Darnton, "Pirating and Publishing: The Book Trade in the Age of Enlightenment" (Oxford UP, 2021)
Dec 29, 2024
auto_awesome
Robert Darnton, Professor emeritus at Harvard, is a leading expert in book history and the French Revolution. In this discussion, he delves into the vibrant yet cutthroat book trade of the late 18th century, showcasing how piracy flourished in the 'Fertile Crescent' as publishers smuggled banned works by renowned authors like Rousseau and Voltaire into France. He examines the complexities of intellectual property, censorship, and how the democratization of literature reshaped public engagement, ultimately paving the way for Enlightenment ideas in a rapidly evolving society.
The pirating of literary works in the late 18th century helped democratize access to literature in France, challenging censorship and monopolistic practices.
The fierce competition among publishers, driven by limited legal protections and high demand for literature, drastically transformed the pre-Revolutionary book trade landscape.
Deep dives
Transformative Changes in the Book Trade
The landscape of the book trade in the 17th and 18th centuries was marked by significant differences compared to today. During this period, there was no freedom of the press, leading to heavy censorship and a lack of legal copyright, which restricted authors and publishers alike. For instance, publishers faced the obstacle of producing high-quality works with limited financial incentive, as authors rarely received substantial royalties and many lived in poverty. The trade was also characterized by limited liability and a lack of return policies, complicating the financial risks involved for those engaged in book publishing.
Emergence of a New Reading Public
The mid-18th century witnessed the democratization of access to literature, with the rise of a broader reading public that had not existed before. This period saw an increasing demand for inexpensive books, driven by authors like Rousseau and Voltaire, as well as a surge in literacy among the populace. According to research, this shift indicated the emergence of a general reading public, which was essential for the cultural changes that unfolded during this time. Traditional publishers were challenged by this new demand, leading to an entrepreneurial boom in the publishing landscape, particularly outside of Paris.
Piracy as a Response to Censorship
Piracy played a crucial role in the dissemination of literature during the Enlightenment, especially in the face of censorship enforced by the French state. Publishers operating outside of France produced and smuggled books that often contained works critical of the government or the church, circumventing the stringent controls imposed by the Parisian guild. This underground network was characterized by competition among publishers, who utilized a range of tactics, including espionage and false claims, to stay ahead of their rivals. The pirate publishers not only filled the void left by legal restrictions but also created a vibrant marketplace for diverse literature, from philosophy to more salacious content.
The Role of the Guild and Intellectual Property
The Parisian Guild held a monopoly over publishing privileges, significantly shaping the dynamics of the book trade. Unlike modern concepts of intellectual property, the guild's privileges were a form of royal certification, allowing them exclusive rights to sell certain works while stifling competition. This monopoly often led to tensions with provincial booksellers, who argued for fairer access to publishing and challenged the guild's control. Through a historical lens, this conflict reveals the complexities surrounding knowledge production and distribution, illustrating the early stages of a conversation about intellectual property that would evolve significantly in the centuries to follow.
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild.
Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.
Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.