Freedom Dreams Episode 6 with Danielle Deadwyler & Robin D.G. Kelley

Join Robin D.G. Kelley for the Freedom Dreams discussion series. The sixth discussion features actor and filmmaker Danielle Deadwyler. Freedom Dreams is a classic in the study of the Black radical tradition that has just been released in a new 20th anniversary edition. In this live event series, Robin D. G. Kelley will explore the connections between radical imagination and movements for social transformation with pathbreaking artists and scholars. Speakers: Danielle Deadwyler is an American born multidisciplinary performance artist, filmmaker, and actor. She starred as Mamie Till Bradley in the MGM/Orion Pictures feature TILL for visionary director Chinonye Chukwu. She has starred in Netflix's limited series FROM SCRATCH as well the acclaimed Netflix feature THE HARDER THEY FALL for director Jeymes Samuel and producer Jay Z. Other prominent work includes Station Eleven, Watchmen, ATLANTA, and the indie international film THE DEVIL TO PAY. Deadwyler’s own award winning experimental film work has been presented at the Hartsfield-Jackson International Airport; Atlanta Film Festival; New Orleans Film Festival; Cucalorus Film Festival; and Oxford Film Fest. She has exhibited with CUE Art Foundation (NY), MAMBU BADU collective, Mint Gallery, Whitespace Gallery, The Luminary, Atlanta Contemporary Museum, Spelman College’s Museum of Fine Art Black Box Series, among others. Numerous grants have supported Deadwyler’s works, including IDEA CAPITAL, ELEVATE Atlanta, Living Walls, Synchronicity Theatre, WonderRoot Walthall Fellowship, and Artadia. She is a former Atlanta Film Festival Filmmaker-in-Residence, MINT Gallery Leap Year Fellowship Recipient, a 2020 Franklin Furnace Recipient and a 2021 Princess Grace Award Winner. Robin D.G. Kelley is Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is the author of Hammer and Hoe, Race Rebels, Freedom Dreams: The Black Radical Imagination, and Thelonious Monk: The Life and Times of an American Original, among other titles. His writing has been featured in the Journal of American History, American Historical Review, Black Music Research Journal, African Studies Review, New York Times, The Crisis, The Nation, and Voice Literary Supplement.