Amerika, also known as The Man Who Disappeared, is an unfinished novel by Franz Kafka. It tells the story of Karl Rossmann, a young man who is banished to the United States after being falsely accused of a scandal. The novel explores themes of alienation, identity, and the struggles of an immigrant in a new and unfamiliar world.
The Waste Land is a 434-line poem divided into five sections: 'The Burial of the Dead', 'A Game of Chess', 'The Fire Sermon', 'Death by Water', and 'What the Thunder Said'. It is a complex and erudite work that incorporates numerous allusions to mythology, classical literature, and religious texts. The poem reflects the spiritual disillusionment and moral decay of the Western world after World War I, portraying a sterile and fragmented society. It was initially met with controversy due to its innovative and often obscure style but has since become a central work in the modernist canon[2][3][4].
In this book, Paul Kennedy examines the historical patterns of the rise and fall of great powers, including Greece, Rome, Spain, France, Germany, and England. He argues that the strength of a great power is relative to other powers and correlates strongly with available resources and economic durability. Kennedy introduces the concept of 'imperial overstretch,' where military commitments become unsustainable once a power loses its economic competitive edge. The book also predicts the decline of the United States and the Soviet Union and the rise of Japan and China, based on their economic and military strategies[2][5][6].
With Trump’s inauguration today, are we really about experience a new “golden age” in America? No. Not at least according to the best selling writer Robert D. Kaplan, author of Waste Land: A World in Permanent Crisis (out next week), who argues that Trump's inaugural ceremony today, attended by fawning Silicon Valley moguls, exemplifies the moneyed “decadence” that often precedes imperial decline. A new book from Kaplan is always a big deal. But in today’s Trumpian America, Waste Land seems particularly prescient. The book draws heavily from historians of decline like Oswald Spengler and examines how globalization has split American society into two halves: a cosmopolitan, globally-oriented coastal elite and a poorer, more nationalistic hinterland. He argues that this division has eliminated the political center, burdening every election an existential quality. Despite the book's generally Spenglerian pessimism, Kaplan concluded with a note of hope, suggesting that a rediscovery of classical liberalism – characterized by constant questioning and lack of dogmatism – might help us navigate through today’s 21st century Waste Land of anarchic violence.
Robert D. Kaplan is the Robert Strausz-Hupé Chair in Geopolitics at the Foreign Policy Research Institute. He is the bestselling author of twenty-two books on foreign affairs and travel translated into many languages, including The Good American, The Revenge of Geography, Asia’s Cauldron, Monsoon, The Coming Anarchy, and Balkan Ghosts. For three decades he reported on foreign affairs for The Atlantic. He was a member of the Pentagon’s Defense Policy Board and the U. S. Navy’s Executive Panel. Foreign Policy magazine twice named him one of the world’s “Top 100 Global Thinkers.”
Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.
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