No one belongs here more than you and Learning to Love You More, co-author Harrell Fletcher (Prestel)
Miranda July's film Me and You and Everyone We Know
captured the mood of a generation –- and its attention. In this first
book of stories, we find the same fear of paralysis, the same
narcotized, sleepwalker affect. Why does Miranda July, a tireless
whirlwind, identify with these listless characters?