The podcast explores the concept of place through Wilkie Collins' novel The Moonstone, reflecting on the moon as a symbol of femininity. The speaker discusses their new book and teaching a course on detective fiction. They reflect on the warm October weather, search for lost audio equipment, and their opposition to data collection. The speaker contemplates the weather, nature, and characters, and reflects on the search for truth and mystery in their novel, 'The Green Lady'.
The Moonstone explores the variable nature of truth, with characters asserting different perspectives and competing narratives.
The author draws parallels between the structure of Wilkie Collins' The Moonstone and her own experiences with writing, finding comfort in the interconnectedness of different parts in both fabric and storytelling.
Deep dives
The Moonstone: A Rambling Mess of a Detective Novel
The Moonstone by Wilkie Collins is considered the first English detective novel. It is a rambling mess of a story with multiple narratives competing for attention. The main narrative revolves around the theft of a large diamond, the Moonstone, in a remote country house in Yorkshire. The house itself becomes a prominent element in the story, with much of the action centered around doors and windows. The novel's construction and abundance of emotions make it reminiscent of the first draft of a novel, with various characters competing to be the protagonist.
The Variegated Nature of Truth and the Comfort of Imperfection
The Moonstone explores the variable nature of truth, with characters asserting different perspectives and competing narratives. This variation is compared to the colors of autumn leaves, where a red leaf might actually be russet orange, brown, or yellow, depending on the light. The novel's portrayal of emotions also stands out, with everything feeling heightened and almost over the top. This depiction, along with the imperfect and broken aspects of the story, brings comfort and familiarity. The author reflects on her own writing process, acknowledging the fear and self-doubt that writers often experience.
A Personal Connection to Parts and Stitches in Writing
The author draws parallels between the structure of Wilkie Collins' The Moonstone and her own experiences with writing. Growing up in a house with faulty doors and windows, she sees the novel as a broken-down house with drafts and broken elements. The idea of a novel being constructed from a series of parts resonates with her, as her mother was a seamstress and she learned from her the importance of meticulously fitting and measuring different parts of a garment. She finds comfort in the interconnectedness of different parts in both fabric and storytelling.
‘A writer’s notebook is full of the sound of atmosphere…’
This week, Sally is teaching a course on detective fiction. Emerging from her meditations on Wilkie Collins’ novel The Moonstone, follow her on a journey through the light and the dark places of the world, and the variegated truths of writing and life.
Miss Cull, a frequent guest on the podcast, can also be found in Sally’s latest book, The Green Lady, available from all good booksellers.
This episode was edited and produced by James Bowen.
Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.
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