
Weird Studies Episode 89: On Ishmael Reed's 'Mumbo Jumbo,' or, Why We Need More Magical Thinking
Jan 6, 2021
A romp through Ishmael Reed's Mumbo Jumbo as musical fiction and cultural spellwork. They trace Jes Grew's spread via 1970s rhythms, radio, and stride piano. Conversations map Afrocentric loas, Atenist opposition, and conspiratorial riffs. The hosts debate hyperstition, participatory art, and how careful magical thinking differs from dangerous superstition.
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Novel As Magical Working
- Ishmael Reed's Mumbo Jumbo functions as a magical working that creates a new world rather than merely describing one.
- The novel operates musically and hyperstitionally, inviting readers to participate in the spirit it conjures.
Hyperstition: Belief Makes It Real
- The book deliberately creates a new loa or spirit (Jess Grew) and asks readers to feed and honor it to make it real.
- That act of participation is hyperstition: belief helps bring the thing into existence.
Fabulation Over Literalism
- Reed fabulates connections among disparate historical facts without claiming literal truth.
- This playful fabulation reveals new possibilities by treating symbolic meaning as generative.
















