Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27
Introduction
00:00 • 6min
Red Means Recording
05:34 • 2min
How Do You Mix Vocals in a Speaked Capacity?
07:07 • 2min
I'll Talk to You About It. That's My Jam.
09:15 • 3min
Are You Remembering Your Career?
11:51 • 2min
Is There a Difference Between a Track and Looping?
13:47 • 2min
I'll Always Have Those Influences, You Know?
15:26 • 6min
Is There Room for OCD on the Flute Design?
21:02 • 2min
What Is the Best Way to Get the Most Out of Your Equipment?
22:59 • 3min
Is There Any Ultimate?
25:55 • 2min
The Limits of a Looper
27:51 • 3min
The Advantage of Modular for Live Performance
30:29 • 4min
Is That a Urang System?
34:35 • 4min
The Constant Conundrum for the Electronic Musician
38:25 • 5min
Drums and Modular Sequencing
43:06 • 2min
Taking a Big Break on the Modular?
45:05 • 4min
How Does Modulo Become a YouTube Vehicle?
49:15 • 3min
Video Production - What Was Your Experience With Video Production?
52:44 • 2min
How Do You Feel About Video Making?
54:29 • 2min
Do You Edit Audio in Premiere?
56:06 • 2min
How Do You Synchronize Your Video?
58:25 • 2min
Is There a BPM in Premiere?
59:59 • 2min
Wouldn't It Be Cool if Adobe Audition Could Edit Video?
01:02:00 • 2min
Do You Know How to Cut Your V.O.
01:04:09 • 2min
I Love Editing Audio and a Non-Audio Editing Program
01:05:48 • 2min
The Atari 5050 Modular Tape Machine
01:07:33 • 3min
Jeremy, I've Got to Go Because I Now Had to Take Over Duties as a Father
01:10:19 • 2min