Join Will Oldham, world-famous musician known as Bonnie Prince Billy, as he narrates the captivating tale of Rhyolite, a ghost town born from a gold rush in Death Valley. The story takes an intriguing turn with the Bone Wars, where paleontologists Othniel Marsh and Edward Cope engaged in a fierce rivalry ripe with sabotage and scandal. Discover how competition fueled groundbreaking discoveries yet left a trail of personal conflict, alongside the thrilling rise and fall of Rhyolite as a bustling mining town.
The Bone Wars exemplified how competition between paleontologists Othniel Charles Marsh and Edwin Drinker Cope led to both major discoveries and some notable professional misconduct.
The rise and fall of Rhyolite as a gold rush boomtown underscores the transient nature of settlements, contrasting with the enduring history of the Timbisha Shoshone people in Death Valley.
Deep dives
The Bone Wars: A Rivalry Ignited
The fierce competition between paleontologists Edwin Drinker Cope and Othniel Charles Marsh marked the beginning of the Bone Wars in the late 19th century. Both men, passionate about uncovering dinosaur fossils, initially respected each other, sharing discoveries and even naming species after one another. However, the camaraderie quickly soured when Marsh secretly undermined Cope’s excavation efforts in New Jersey, leading to a bitter rivalry filled with deception and one-upmanship. This intense competition drove both men to make significant contributions to paleontology, but also fostered unprofessional conduct that included espionage and sabotage of each others’ work.
Scientific Missteps and Peer Review
Cope’s eagerness to outshine Marsh culminated in a significant blunder when he incorrectly assembled a plesiosaur skeleton, mistakenly placing its head at the tail end. This embarrassing mistake was publicly corrected by his mentor, highlighting the importance of peer review in scientific research, which Cope had neglected in his race to publish first. Although his error was a setback, it underscored the necessity for rigorous validation of findings in the scientific community. The incident exemplified how competition, while spurring innovation, could lead to hasty decisions that undermine one’s credibility.
Rhyolite: The Rise and Fall of a Boomtown
The discovery of gold by prospector Shorty Harris in Death Valley spurred a massive influx of people to the area, leading to the rapid development of the town of Rhyolite. Initially a thriving community, Rhyolite featured essential services and amenities, including schools and saloons, driven by the surrounding mining activities. However, as gold reserves dwindled and financial struggles arose, the population quickly declined, illustrating the volatile nature of boomtowns. By 1910, just three years after its peak, Rhyolite was largely abandoned, serving as a poignant reminder of the impermanence of such settlements.
Cultural Heritage of Death Valley
While Rhyolite and other ghost towns emerged during the Gold Rush, the Timbisha Shoshone people have inhabited Death Valley for centuries, considering it their ancestral land. Despite displacement by the National Park Service in the 1930s, efforts have been made in recent years to return some land to the Timbisha, allowing for the continuity of their cultural practices. This highlights the contrasting histories of indigenous peoples and later settlers who sought fortune in the harsh desert. The ongoing presence of the Timbisha Shoshone serves as a reminder of the deep historical roots that exist in landscapes often defined by transient populations.
This episode features the narration talents of musician Will Oldham, also known as Bonnie Prince Billy. Will tells the story of Rhyolite, a town once founded in Death Valley after the discovery of gold by Frank "Shorty" Harris. Today it is a ghost town.
But first, Mick tells the story of the Bone Wars, when Othniel Charles Marsh and Edward Drinker Cope should have gotten along, but didn't. Still, they made some major paleontology and dinosaur discoveries.
Stories written by Mick Sullivan, with editorial help from Will Oldham. Music arranged and performed by Mick Sullivan.
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