Divesting From Hollywood and State Narrative: On Toni Cade Bambara & Gloria Naylor With Randi Gill-Sadler
Dec 15, 2024
auto_awesome
Join Randi Gill-Sadler, a scholar of African American literature, as she unpacks the powerful legacies of Toni Cade Bambara and Gloria Naylor. The discussion highlights their anti-imperialist themes and community activism, emphasizing their critiques of Hollywood and their commitment to authentic storytelling. Randi reveals the challenges these writers faced in academia while fostering cultural representation. The conversation also connects their contributions to contemporary Black narratives, urging a deeper exploration of Black women's experiences in literature and film.
Toni Cade Bambara viewed herself primarily as a cultural worker, utilizing her writing and filmmaking to support local movements and advocate for social change.
Bambara's critique of Hollywood highlights the need for authentic representation of Black experiences, advocating for independent cinema that reflects community struggles rather than mainstream narratives.
Both Bambara and Gloria Naylor emphasized the importance of creating narratives that challenge systemic oppression, moving beyond mere inclusion to empower marginalized voices in political and cultural spaces.
Deep dives
Tony Cade Bambara as a Cultural Organizer
Tony Cade Bambara is widely recognized not only for her literary contributions but also for her work as a cultural organizer and activist. She viewed herself primarily as a cultural worker, engaging in community organizing and filmmaking alongside her writing endeavors. Through her involvement in various institutional efforts, including teaching and participating in filmmaking workshops, Bambara aimed to use her skills to enhance local movements and advocate for social change. Her radical approach emphasized the importance of intentional writing and creativity as tools for liberation and anti-imperialism, showcasing the multifaceted roles a writer can assume.
Critique of Hollywood's Narrative Stasis
Bambara articulated a clear critique of Hollywood in her 1987 manifesto, 'Why Black Cinema?', arguing that mainstream film frequently reinforces a narrative of stasis that impedes genuine political organizing among Black communities. She pointed out how Hollywood prioritizes narratives that draw attention away from real issues, while simultaneously failing to represent the lived experiences of Black working-class individuals. In contrast, she called attention to independent Black films that authentically depicted struggles and community life, advocating for support of these narratives over mainstream, often damaging representations. This critique reveals Bambara's commitment to a filmmaking practice grounded in reality, community engagement, and resistance to superficial portrayals of Black life.
Rejection of Liberal Inclusionism
Bambara and Gloria Naylor rejected the notion of seeking mere inclusion within existing political and cultural systems that they viewed as fundamentally oppressive. Instead, they focused on creating independent cinema that responded to deeper systemic issues and uniquely represented the complexities of Black life. Their projects reflected a commitment to community empowerment, prioritizing narratives that challenged the status quo rather than conforming to the liberal framework of inclusion. This approach highlights the need for a more profound transformation of political and cultural spaces, moving beyond tokenism and superficial representation.
Bambara's Filmmaking Journey and Political Context
Bambara's transition to filmmaking was influenced by her desire to connect with community struggles and to circumvent the restrictions imposed by the literary industry, which increasingly fetishized the novel. Her move to Atlanta coincided with significant political unrest, including the Atlanta Missing and Murdered Children's case, prompting her to use her skills as a writer and filmmaker to address these urgent issues. While she continued to engage in literary production, Bamabara saw film as a medium with the potential for greater immediacy and shared experience, allowing for deeper communal engagement in her political work. Her projects, including potential documentaries, sought to bring visibility to marginalized experiences and challenge dominant narratives surrounding race, violence, and community agency.
Subversion of Cinematic Language and Aesthetics
Bambara's film treatments demonstrate her innovative approach to cinematic language, using details such as camera angles and spatial arrangements to weave complex narratives that connect local and global themes of struggle. For instance, her treatment for 'Come As You Are' describes intentional framing that aligns personal evictions with broader exploitative agricultural practices in the global south. This attention to both form and content subverts conventional cinematic storytelling by emphasizing a communal ethos woven through the visual representation. By employing these strategies, Bambara aimed to challenge the dominant cinematic expressions of capitalism, instead showcasing a radical aesthetic that invites new possibilities for social consciousness and engagement.
In this episode we speak with Professor Randi Gill-Sadler about various published and unpublished works of writers and filmmakers Toni Cade Bambara and Gloria Naylor.
Randi Gill-Sadler is a teacher, scholar, and writer. She received her PhdD in English and her graduate certificate in Women's, Gender, and Sexuality Studies from the University of Florida. Her research and teaching interests include 20th century African American and Afro-Caribbean women's literature, U.S. Cultures of Imperialism, and theories of Black diasporic relation and anticolonialism. Her work has been published in Feminist Formations,Small Axe, Radical History Review, and Oxford American magazine. She is currently writing her first book which revisits the Black women's literary renaissance of the 1970s and 1980s to explore how Black women writers like Paule Marshall, June Jordan, Gloria Naylor, and Toni Cade Bambara reckoned with African Americans' growing conscription into U.S. imperial exploits in their fiction, poetry, and film.
For this discussion Josh talks to Professor Gill-Sadler about how Bambara and Naylor navigated the academy, spaces of cultural production, while maintaining anti-imperialist politics, and putting their skills to work for local movements and causes, while also connecting the local to the international.
Just a quick note that on the video side of things, due to a pipe leak my studio has been out of commission and will continue to be for about the next month. That’s why we haven’t been hosting livestreams recently. We hope to have that resolved by sometime in January and have plans to continue using the video form. But in the meantime we’ll be releasing audio episodes. You can catch up on the 139 livestreams we hosted there over the past year at YouTube.com/@MAKCapitalism
If you appreciate the work that we do, please consider becoming a patron of the show. You can do so for as little as $1 a month at patreon.com/millennialsarekillingcapitalism
This episode is edited & produced by Aidan Elias. Music, as always, is by Televangel
For another conversation on the Atlanta Missing & Kidnapped Children’s Case (in the context of the context of the moral panic about kidnapping in the late 70's and 1980's), see our conversation with Paul Renfro on his book Stranger Danger.
Get the Snipd podcast app
Unlock the knowledge in podcasts with the podcast player of the future.
AI-powered podcast player
Listen to all your favourite podcasts with AI-powered features
Discover highlights
Listen to the best highlights from the podcasts you love and dive into the full episode
Save any moment
Hear something you like? Tap your headphones to save it with AI-generated key takeaways
Share & Export
Send highlights to Twitter, WhatsApp or export them to Notion, Readwise & more
AI-powered podcast player
Listen to all your favourite podcasts with AI-powered features
Discover highlights
Listen to the best highlights from the podcasts you love and dive into the full episode