‘Dust Bunny’: Bryan Fuller On Monsters, Spielberg’s Notes, Hannibal’s Future, and Creative Differences on Shows [The Discourse Podcast]

Childhood fears, bedtime monsters, and the hazy membrane between imagination and trauma collide in “Dust Bunny,” the feature directorial debut of Bryan Fuller, a filmmaker whose storytelling instincts have always lived in the space between the two B’s - beauty and brutality. It is a film that feels handcrafted out of nightmares and fairy-tale sugar, a creature feature through the eyes of a child who sees the world in magic and menace at the same time. Rich with color, shadows, and emotional ambiguity, it is unmistakably a Bryan Fuller movie, which is to say that it’s tender, violent, mischievous, and sincere in equal measure.

Joining The Discourse in today’s episode is Bryan Fuller himself, the writer and director behind shows like “Hannibal,” “Pushing Daisies,” “American Gods,” and “Star Trek: Discovery” (in its early days). Fuller’s signature blend of genre storytelling and emotional excavation finds a new form here as he steps behind the camera for his first feature-length film, crafting a story about a little girl who hires a hitman to kill the monster under her bed and discovers that nothing is simple when your fears have roots. The film stars Mads Mikkelsen, Sigourney Weaver, David Dastmalchian, Sophie Sloan, and Sheila Atim.