Ontological Disruption, Slow Cinema, and Religious Icons

Dr Annie Sandrussi applies phenomenological and gender-based methods to examine how everyday and public understandings are underpinned by ontological commitments, especially with respect to relationality, embodiment and materialism. Her research is primarily at the juncture of ecofeminist ethics and existential-phenomenology, and she works on philosophical enquiry in biology and technoscience.

They discuss ontological disruption; slow cinema and the everyday; and what is excess to religious icons.

A transcript of this episode is available on the Concept : Art website (www.conceptart.fm).

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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