Yossi Klein Halevi on the Transformation of Israeli Music

Understanding the soul of a nation requires more than understanding the way it orders its laws and governing institutions. True understanding demands that we also look at a people’s culture—its art, its theater, and its music. In this podcast, we are joined by the author, intellectual, and Hartman Institute fellow Yossi Klein Halevi to explore the transformation of Israel music throughout the history of the Jewish state. We will look at the music that characterized Israel’s early years—music that emerged out of the Ashkenazi, socialist, kibbutz ethos of the Labor Zionist governing elite. We’ll see how, over time, Israeli music came to draw on its diasporic history, especially that of the Mizrahim—the Jews of North Africa and the Middle East—a shift that mirrors and illuminates broader changes in Israeli society over the past five decades.

Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble as well as “Ulterior” by Swan Production.