The Father editor, Yorgos Lamprinos, considers himself a "blue color" editor who never wants to be pigeonholed for a certain genre or project type.  That being said, his Oscar-nominated work on The Father may result in many offers to work on suspenseful, psychological dramas.  Although The Father was shot almost entirely on a soundstage in London, Yorgos (a native of Greece), edited the film in Paris where he has lived and worked for many years now.

In our discussion with The Father editor, Yorgos Lamprinos, we talk about:

• Slightly distorting frames to create unease in the viewer
• His preferred process for working with directors
• Using wide shots to convey geography and close-ups to convey emotion
• The balancing act of misdirecting the audience while keeping them engaged
• What it was like returning to Greece as an Oscar-nominated editor

Visit ExtremeMusic for all your production audio needs

See Yorgos and his fellow Oscar nominees as part of the ACE Invisible Art Visible Artists panel

See the latest Special Offers for Avid Media Composer and Media Composer Ultimate

Learn Avid for free with Media Composer | First

Subscribe to The Rough Cut podcast and never miss an episode

Visit The Rough Cut on YouTube