The Big Picture
The Making of ‘Oppenheimer’ with Hoyte Van Hoytema, Jennifer Lame, and Ludwig Göransson
Jan 14, 2024
A live screening of 'Oppenheimer' at IMAX in Los Angeles brings together the cinematographer Hoyte Van Hoytema, editor Jennifer Lame, and composer Ludwig Göransson. They discuss shooting on film and in IMAX format, the collaborative process of creating the music and sound world, the director's vision, and favorite sequences from the film.
50:35
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Quick takeaways
- The script for 'Oppenheimer' provided great insight into the film's final version, showcasing Christopher Nolan's meticulous attention to detail and well-crafted scripts.
- Shooting on film and employing the analog coloring process added an additional level of creative commitment and authenticity to the immersive visual experience of 'Oppenheimer.'
Deep dives
The Power of Chris Nolan's Scripts and Attention to Detail
Christopher Nolan's meticulous attention to detail and well-crafted scripts have made a strong impact on the team. When receiving the script for the film 'Oppenheimer,' the cinematographer, Hoyte van Hoytema, noted that it provided great insight into the film's final version. Similarly, the editor, Jennifer Lane, appreciated Nolan's ability to surprise and surpass expectations with his vision. The composer, Ludwig Göransson, highlighted the collaborative process of working with Nolan in pre-production, allowing them to create a unique sound world for the film.
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