Your cohosts report on the adventures of Cymene’s birthday week. We then (10:41) revel in the glory of having the most excellent Heather Davis (https://heathermdavis.com)—co-editor of Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (London: Open Humanities Press, 2015) and editor of Desire Change: Contemporary Feminist Art in Canada (MAWA and McGill-Queen’s UP, 2017)—from the New School on the podcast. We begin with her new book project, Plastic: The Afterlife of Oil—soon to be part of the Elements series at Duke U Press—and talk about how the duration of plastic haunts the present and influences our future in many often invisible ways. Heather explains to us what she means by “petrotime,” how plastic creates an intimacy with deep time and impermanence, and what we learn from creatures who have found the plastisphere nourishing. We turn from there to the problem of inheritance, mutability, plastic’s inability to uphold its own promise of synthetic universality and yet its capacity to globalize plasticity. We ask Heather what she thinks of the alt-plastics movement and talk about whether new plastics will really challenge the culture of disposability. Finally, we touch on plastic as a bastard child of humanity, Heather’s work on art in the Anthropocene and her thoughts about how artistic practice can help us to learn to live otherwise.