Labour’s Terminator, Silicon Valley’s ‘Antichrist’ obsession & can charity shops survive?

First: who has the Home Secretary got in her sights?

Political editor Tim Shipman profiles Shabana Mahmood in the Spectator’s cover article this week. Given Keir Starmer’s dismal approval ratings, politicos are consumed by gossip about who could be his heir-apparent – even more so, following Angela Rayner’s defenestration a few weeks ago. Mahmood may not be the most high-profile of the Starmer movement, but she is now talked about alongside Wes Streeting and Andy Burnham as a potential successor to Starmer.

But – it all depends on what she can achieve at the Home Office. So, who does she have in her sights? Tim joined the podcast

Next: why the philosopher king of Silicon Valley is reinventing the ‘Antichrist’ theory

What do Mohammed, Martin Luther, King George III, Adolf Hitler, Henry Kissinger and Bill Gates have in common? They have all been identified as the Antichrist. And now the theory is back, preoccupying the mind of billionaire Peter Thiel, who believes that ‘a globe-trotting liberal elite… are using their billions to manufacture a new world order’. 

So why is Thiel, the co-founder of Paypal and Palantir, so obsessed with the Antichrist? Damian Thompson joins the podcast to discuss.

And finally: the cost-of-giving crisis

Rupert Hawksley, the Spectator’s new opinion editor, examines the crisis facing charity shops. Over 50 stores have shut this year with the big four – the British Heart Foundation, Barnado’s, Oxfam and Cancer Research UK – struggling to maintain healthy sales. This isn’t just a crisis for the charities, he argues, but also for the consumers who rely on the shops.

Rupert joined the podcast alongside another charity shop enthusiast, the Spectator’s editor Michael Gove. What’s the most prized charity shop find?

Plus: Henry Jeffreys discusses the horror of wine lists and Angus Colwell reviews a new BBC Sounds podcast on David Bowie, ahead of the ten year anniversary of his death next year.

Hosted by William Moore and Lara Prendergast.

Produced by Patrick Gibbons.

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