Subtext: Conversations about Classic Books and Films The Evil of Banality in “Rosemary’s Baby” (1968) – Part 2
May 26, 2025
Wes & Erin delve into the psychological challenges Rosemary faces during her pregnancy, highlighting the societal dismissal of women's experiences. They explore themes of gaslighting, maternal identity, and societal pressures in her relationships. The manipulation and guilt stemming from her upbringing are critically analyzed, revealing a nuanced critique of ambition and control. Their light-hearted discussion about the poorly received TV sequel adds humor as they explore the evolution of horror narratives through both mundane and demonic lenses.
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Ambiguity Between Madness And Reality
- The film keeps viewers doubting whether Rosemary is delusional or actually victimized, which deepens its horror.
- The second viewing makes it clear to the hosts that Rosemary is gaslit, not insane.
Haircut As A Rejection Of Maternity
- Mia Farrow's haircut and thinness shift cultural expectations of pregnancy and femininity in the film.
- The hosts see the look as rejecting traditional maternal imagery and making Rosemary appear fragile.
The Building As A Fungus-Like Character
- The Bramford building functions like a living organism infected by a fungal coven influence.
- The hosts link physical fungus imagery to the building's history shaping inhabitants' fate.
