Tai Shani talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work.Shani makes sculpture and installations, paintings, performances and films, underpinned by writing that is experimental in approach and singular in its voice. Shani, who was was born in 1976 in London, where she lives and works today, creates bodies of work that evolve and expand across her diverse media, often over several years. They take particular cultural forms, historical events or theoretical ideas as a cornerstone in creating worlds that are at once fantastical and utopian, yet shot through with contemporary political and social ideas and convictions. Tai’s vision is fecund and colourful, and her aesthetic enters the sphere of the epic, the sublime and the gothic. She reflects with particular profundity on how the modes in which she engages have been historically gendered, and reimagines them for today’s audiences. She reflects on writing as the cornerstone of her work, how her political outlook has shifted through her various projects, reflects on the revolutionary possibilities of art in a time of extreme right wing politics, and her enduring ambitions for her own work: “I still want to split the atom.” She discusses the early impact of seeing Ophelia by John Everett Millais, and how it prompted in her a desire “to be able to move someone through an act of creativity”. She recalls seeing Valie Export at Camden Art Centre and how it “completely blew my mind, and nothing was the same afterwards”. She describes the deeply personal circumstances behind Epilogue, a new work responding to Marcel Duchamp’s Étant Donnés. She reflects on the dramatic impact on her of writers including Christine de Pizan, Amy Hollywood and Octavia Butler, and of filmmakers including David Lynch and Carl Dreyer. Plus, she gives insights into life in the studio, and answers our usual questions, including the ultimate: “What is art for?”
Tai Shani: The Spell or The Dream, Somerset House, 8 August-14 September; Tai Shani, Gathering, London, 26 September–8 November. Shani has a work in Dulwich Picture Gallery in London’s new sculpture park which is unveiled as part of an opening weekend on 6-7 September; her sculpture for the High Line in New York will remain on view until March 2026.
What is art for? Contemporary artists on their inspirations, influences and disciplines, by Ben Luke, featuring illustrated, edited versions of 25 artist interviews drawn from the A brush with… podcast series, along with new writings, published by HENI on 2 September (US) and 4 September (UK). Available exclusively from HENI.com now.
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