Best Of: Making 'The Piano Lesson' / Selena Gomez

In 'Wicked', Gregory Maguire delves into the life of Elphaba, the green-skinned girl who becomes the infamous Wicked Witch of the West. The story begins with Elphaba's childhood, marked by her unique appearance and her father's missionary work in Quadling country. As she grows older, Elphaba attends Shiz University, where she meets Galinda, who will later become Glinda. The novel follows Elphaba's journey through her involvement in resistance against the Wizard, her personal struggles, and her eventual transformation into the Wicked Witch. Maguire's narrative explores themes of social class, political oppression, and the nature of evil, creating a rich and vivid world that challenges the traditional view of Oz[1][3][4].

In 'Interior Chinatown,' Charles Yu tells the story of Willis Wu, who perceives himself as merely a 'Generic Asian Man' in his own life. Working as a bit player in the fictional police procedural 'Black and White,' Willis dreams of becoming 'Kung Fu Guy,' the most respected role available to someone of his appearance. The novel, written in the format of a screenplay, delves into themes of pop culture, assimilation, and immigration, while critiquing the pervasive stereotypes and racism faced by Asian Americans. As Willis stumbles into the spotlight, he discovers the secret history of Chinatown and the buried legacy of his own family, leading to a profound exploration of identity and the American dream[1][3][5].

Set in 1936 Pittsburgh, 'The Piano Lesson' by August Wilson is the fourth play in his Pittsburgh Cycle. The play revolves around the Charles family, particularly the siblings Boy Willie and Berniece, who argue over whether to sell their family's heirloom piano. The piano, decorated with carvings of their ancestors, was originally traded by their white slave owner for two of the family's members. The conflict between Boy Willie, who wants to sell the piano to buy land, and Berniece, who insists on keeping it as a family legacy, is intertwined with themes of family history, cultural heritage, and the haunting presence of their ancestors' ghosts. The play won the Pulitzer Prize for Drama in 1990 and is a powerful exploration of African American identity and the struggle to come to terms with the past[2][3][4].