Tessa Hadley, a prolific fiction writer with thirtieth story published in The New Yorker, discusses her journey as a writer, including the challenges she faced. They explore the connection between imagination and character development, observations from the window, and creating tension in a mother-daughter scene during the pandemic.
Tessa Hadley's journey to becoming a successful writer involved years of writing and failing, finally finding her voice and being able to write truthfully.
She challenges the notion that domestic fiction is a limited genre by emphasizing the deep understanding of character emotions and the importance of everyday human configurations within households.
Deep dives
Tessa Hadley's journey to becoming a successful writer
Tessa Hadley discusses her journey to becoming a successful writer and shares insights into her writing process. She talks about the years of writing and failing before publishing her first book in her 40s. Hadley describes the feeling of finally finding her voice and being able to write truthfully. She reflects on the self-deception inherent in the writing process and the hope that keeps writers going despite feelings of failure. She also shares how her childhood imaginative games and empathetic faculties contribute to her deep understanding of character emotions. Hadley's understanding of domestic relationships and her ability to express them with clarity is highlighted, challenging the notion that domestic fiction is a limited genre.
The role of relationships in Tessa Hadley's fiction
Tessa Hadley's fiction often delves into the complexities of relationships and explores the dynamics within families, marriages, and friendships. She reveals that she is drawn to writing about relationships at a more intimate and domestic scale. Hadley finds inspiration in the everyday human configurations within households, emphasizing that domestic fiction has a long-standing tradition. She acknowledges the importance of holding doubts about the value of one's own work and the need to continually challenge oneself. While her work often takes place against larger cultural and political backdrops, Hadley's focus remains on the intricacies of the personal and the familiar.
Tessa Hadley's exploration of bourgeois domesticity
Tessa Hadley's writing is often associated with bourgeois domesticity, but she aims to capture the changing nature of this subject. She highlights how the traditional portrayal of bourgeois life in British literature has been privileged and politically detached. Hadley seeks to depict a more conscientious and politically aware bourgeoisie, reflecting the majority's left-leaning perspective. She explores the ironies and complexities of social class and politics in contemporary society, challenging preconceived notions. Hadley believes that this subject matter is still relatively unexplored, offering new insights and perspectives within the genre.
In July, TheNew Yorkerpublished its thirtieth story by Tessa Hadley—a higher count thatofany other fiction writer in the past two decades. On a recent episode of the New Yorker Radio Hour, the fiction editor Deborah Treisman spoke with Hadley about her genesis as a fiction writer. Hadley’s latest story collection is “After the Funeral.”