Reproductive Futurism and the Politics of the Sequel

Kathleen Luke's video essay titled 'Reproductive Futurism and the Politics of the Sequel' explores the complex relationship between the original Blade Runner and its sequel. The video essay showcases a well-paced and beautifully crafted analysis, drawing from the aesthetics and source material of both films. Through the use of multi-screen and moving frames, Luke poetically presents her argument, making it a visually immersive experience. She skillfully incorporates the music from the films to enhance the overall impact. While the video essay successfully demonstrates the power of videographic rhetoric, it also prompts a larger discussion on the form and purpose of videographic criticism. This thought-provoking piece challenges traditional notions of scholarship and opens up conversations about the balance between argumentation and poetic elements in videographic work.