Catherine Grant, a leading video essay maker, discusses her philosophy and latest works with host Will DiGravio. They explore the eight-year journey of creating 'The Haunting of the Headless Woman', compare scenes from different films, and delve into the use of text on screen and the importance of sound in video essays. They also touch on videographic criticism, music in video essays, and introduce the next guest, Philip Brubaker.
The importance of music in video essays as a sonic canvas and tool for creating rhythm and variation.
The potential of video essays to bridge communities and contribute to scholarship and knowledge sharing.
The process of creating a video essay, including the use of collage technique and experimentation with form to convey critical arguments.
Deep dives
The Journey of Making Video Essays
In this podcast episode, the host interviews Catherine Grant, a professor of digital media and screen studies, about her experience as a video essay maker. Grant discusses her initial interest in video essays, her philosophy behind making them, and her preference for using text on screen instead of her own voice. She also explores the use of music in video essays and the power of visual editing techniques like collage. Grant's conversation with the host delves into her latest video essay, "The Haunting of the Headless Woman," which analyzes the relationship between two films and the concept of intertextuality. Throughout the interview, the concept of working in the flow and the importance of concise communication in video essays are highlighted.
The Art of Music and Constraints in Video Essays
The use of music in video essays is discussed in this episode, highlighting its role in providing a sonic canvas, setting the mood, and inspiring the editing process. Grant shares her approach to finding the right music for her video essays and how it aids in creating rhythm and variation. The importance of constraints and parameters in video essay creation is also emphasized, as they can empower the creative process and lead to exciting discoveries. Grant's own experience with limitations in her work, as demonstrated in her video essay, "The Haunting of the Headless Woman," is highlighted.
Exploring Video Essays as Scholarship and Knowledge Sharing
In this podcast episode, the potential of video essays as a tool for bridging different communities and contributing to scholarship and knowledge sharing is explored. Grant talks about her work as a public intellectual and the intention behind sharing videographic criticism with a wider audience. The concept of leaving room for interpretation and posing questions in video essays is discussed, along with the power of visuals and rhythmic perception in conveying arguments. Grant also shares insights into her new website, Screenstudies.video, which aims to showcase her video essays and contribute to the field of film and television studies.
The Making of a Video Essay
The podcast episode discusses the process of creating a video essay over a span of eight years. The speaker describes how they started with a three-minute trailer and gradually added more content to create a five-minute video. They also explain how they used a collage technique and experimented with form to convey their critical argument about the relationship between two films. The speaker emphasizes the joy and satisfaction they experienced when they found the right words and form for the video essay.
Analyzing the Power of Cotton in Film
The podcast episode features a discussion about a video essay that examines the role and symbolism of cotton in American movies. The speaker praises the video essay for its effective use of text on screen and the balance between serious subject matter and lightheartedness. They highlight how the essay takes the viewer through a range of films, from 'Birth of a Nation' to '12 Years a Slave,' and explores the political implications of cotton as a figure in cinema. The speaker concludes by encouraging viewers to watch the video essay and appreciate its powerful message.
In the first true episode of The Video Essay Podcast, host Will DiGravio sits down with Catherine Grant, one of the leading video essay makers working today. In the episode, the two talk about Katie's first introduction to the form, her philosophy when it comes to making video essays, and her latest video essay, "The Haunting of THE HEADLESS WOMAN." They also discuss "Cotton - The Fabric of Genocide," an essay by Cydnii Harris. Learn more about the show and the homework for next week at www.thevideoessay.com.