John Clare's poetry offers a vivid and intimate portrayal of the English countryside and the lives of its inhabitants. His works are characterized by their keen observation of nature, their simple yet evocative language, and their deep connection to the land. Clare's poems often explore themes of rural life, social injustice, and the beauty of the natural world. He captures the essence of the seasons, the rhythms of nature, and the profound connection between humanity and the environment. His work continues to resonate with readers for its authenticity and its celebration of the simple joys of life.
John Connell's "The Farmer's Son" is a memoir that chronicles his return to his family farm after a period of living and working abroad. The book explores themes of self-discovery, healing, and the restorative power of nature. Connell's narrative interweaves personal reflections with observations on rural life, creating a poignant and insightful account of his journey. The book offers a compelling exploration of the complexities of family relationships and the search for meaning in life. It is a testament to the enduring connection between humans and the land.
In 'Anam Cara,' John O'Donohue delves into the rich tapestry of Celtic spirituality, drawing on ancient teachings, stories, and blessings. The book is centered around the concept of 'anam cara,' or 'soul friend,' and explores universal themes like friendship, awareness, and intimacy. It guides readers through various stages of life, from the mystery of friendship to the beauty of aging and the acceptance of death as an invitation to freedom. O'Donohue's writing is characterized by its lyrical and profound insights, encouraging readers to recognize and connect with the true artist within themselves and to live in rhythm with their soul and life.
Published in 1854, 'Walden; Or, Life in the Woods' is a series of 18 essays that reflect Thoreau's experiences living in a small cabin near Walden Pond from July 1845 to September 1847. The book is a personal declaration of independence, a social experiment, and a voyage of spiritual discovery. Thoreau details his life in the woods, discussing the construction of his cabin, his daily activities, and his philosophical reflections on economy, social relations, and the importance of living in harmony with nature. The work is considered a cornerstone of American literature and a foundational text in the Transcendentalist movement, emphasizing the benefits of a simplified lifestyle and the importance of individual freedom and self-reliance[2][4][5].
At 3 a.m. in the lambing shed on his farm in the Irish midlands, John Connell speaks gently to a ewe in labor. “The wave of willful force doesn’t work,” he says. “It’s about calm and serene and speaking gently, and that’s generally how the thing gets accomplished, certainly on our farm.” An award-winning author, investigative journalist, and organic farmer, John has spent over a decade working with sheep. “They’re very caring, look after each other, and are more intelligent than we think,” he says. “But they can be vulnerable. If they get sick, they don’t have as big of a fight in them as, say, a cow would.” And yet, John has come to admire their quiet bravery. “I think if people would spend a little time getting to know sheep, they'd realize there’s more to them than they might first comprehend.”
For the Fourth Sunday of Easter in Year C, John reflects on the Gospel’s message of Jesus as a shepherd, who knows his sheep intimately and cares for them with great love. We invited him to Preach as part of our Culture of Encounter series, inspired by Pope Francis’ call to engage with people today—the real people we hear about in the Scriptures—rather than simply engaging with ideas. “He was the pope that spoke to me most directly,” John says. “And I feel lucky that I got to become aware of his work while learning about farming.”
Ricardo asks John what he hears Jesus saying to him when he reads, “My sheep hear my voice.” For John, Jesus is saying: “I totally understand who you are, and I want you in this flock.” That intimacy shapes his writing—and how he invites preachers to write: with heart, clarity, and “one true sentence” at a time.
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