EP202 Gordon Keirle Smith, Below the Ice: Antarctica Synchronicities

Reality and fiction overlap. Science fiction can become reality. Gordon Smith, author of Revelation Antarctica, will make you wonder. 

Today there are alternate facts depending upon who you ask -- and alternate ways that human beings think about reality. Our guest on episode 202 is challenging beliefs dearly held by a majority of the world’s population, about the fundamental nature of reality. Science fiction may not be "just" fiction, but can be a way to think about new possibilities and new insights into the world around us.   

Connecting with Coincidence with Bernard Beitman, MD (CCBB) is now offered as both an audio podcast--anywhere that podcasts are available--and in video format on the Connecting with Coincidence YouTube channel. SUBSCRIBE to our channel to be notified when future episodes are posted! Also available, there are 138 archived episodes of the CCBB podcast are available HERE.   

In this episode, Gordon Keirle Smith shares more about what makes his new book, Revelation Antarctica, so different from most others works of fiction, or even different from much science fiction. We explore the notion of the book being "as real as you need it to be." Gordon describes this work as a Quantum vision fired by imagination. Further, the reader is encouraged to read the 99 short sections of the book in any order that they might wish: reflecting the idea that time or chronology is an illusion.   

Our guest Gordon Keirle Smith has led many lives in this lifetime. In England he was a Rosicrucian, advertising copywriter, assistant theater electrician and lighting board programmer. In France he worked in tourism, became an English teacher, invented a new artistic technique and then decided to “paint in words.” Upon partial retirement in 2014, Gordon published Genesis Antarctica. He also wrote an introduction to reincarnation, Another Egg, Another Life, one edition for for parents and one for children. His Revelation Antarctica (2019) questions our concepts of reality by using multiple characters functioning at the interface of science fiction and convention. Published only a few months before Covid-19, it describes the coming of a plague that became our collective reality.