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Yentl follows the story of a young woman named Yentl who is passionate about learning and studying the Torah. However, in a society where only men are allowed to pursue education, she decides to disguise herself as a man named Anshal in order to enter the world of rabbinical study.
Yentl faces multiple challenges and struggles throughout the movie. From the societal expectations of gender norms to the constraints of her religion, Yentl fights against the limitations placed upon her. She not only battles within herself, but also confronts the prejudices and judgments of those around her.
Yentl finds herself caught in a love triangle with Avigdor, a man engaged to another woman, and Haddasa, the woman Avigdor is supposed to marry. As Yentl disguises herself as Anshal, she forms a deep emotional bond with Avigdor but struggles with the complications of forbidden love and the true nature of her own identity.
Yentl's journey is one of perseverance and determination as she fights against societal norms and expectations. She challenges traditional gender roles and pursues her passion for learning, ultimately defying the odds and finding her own path to self-discovery and personal fulfillment.
Yentl is a film that defies expectations, seamlessly blending comedy, drama, and sentimentality. Barbara Streisand's directorial vision creates a unique tone that encompasses both humor and intense emotions. The film tackles themes of gender and religious identity, set against a beautiful period backdrop. Despite initial skepticism, Yentl manages to strike a delicate balance, delivering a heartfelt and powerful story.
Barbara Streisand's directorial involvement in Yentl showcases her exceptional talent and ability to create a cohesive and captivating film. From the impressive set designs and visuals to the powerful performances, Streisand's attention to detail shines through. She navigates the challenges of directing and acting in the film with ease, producing a compelling final product that exceeds expectations.
Yentl's use of music and singing adds a distinct layer of storytelling to the film. Though the songs often serve as internal monologues rather than traditional musical numbers, they beautifully convey the emotions and inner struggles of the characters. This unconventional approach adds depth and nuance to the narrative, allowing the audience to connect with the characters on a deeper level.
Yentl challenges the notion of a traditional musical by presenting a surprisingly modern and honest story. The film doesn't shy away from tackling complex themes such as gender identity, religious expectations, and the pursuit of personal freedom. Despite its period setting, Yentl tackles these issues in a way that feels relevant and resonant with a contemporary audience.
Yentl, released in November 1983, was a success at the box office, ranking in the top 20 highest-grossing films of the year. Although it received some good reviews, it also faced criticism, notably from critic Pauline Kael. However, it went on to win two Golden Globe Awards, including Best Musical Comedy Picture and Best Director for Barbra Streisand. Streisand became the first woman to win the Golden Globe for Best Director. The film received five Oscar nominations, but Streisand was not nominated. She later criticized the Academy for its apparent sexism in overlooking her directorial achievements.
Yentl is hailed as an important film for its portrayal of gender identity and its exploration of complex themes. Streisand's direction is praised for achieving a delicate balance in the storytelling. The film's success can be attributed to Streisand's meticulous attention to detail and her willingness to explore and experiment with different versions of scenes during the editing process. While Streisand is known for her perfectionism, she also understands the value of tension and combativeness in her creative process. Her unique directing style and commitment to her vision make Yentl a remarkable and memorable film.
Podcast, can you hear me?” We certainly can, Barbra! The very menschy Jordan Hoffman joins us to chat about Streisand’s official directorial debut, a marvel of a film that makes anyone describing it sound insane. Yes, Barbra wrote, directed, produced, and starred in a period piece about a shtetl girl who crossdresses in order to study the Talmud. Yes, the film is a musical with songs composed by Michel Legrand. Yes, Barbra is the only person who sings in it, despite the male lead being Broadway legend Mandy Patinkin. Yes, Steven Spielberg called this movie “the greatest directorial debut since CITIZEN KANE.” Yes, we think Barbra should enter the MCU and direct Ant Man 4. Wait, what?
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