You Must Remember This 83: The Blacklist Part 13: On the Waterfront: Elia Kazan
May 24, 2016
This discussion dives deep into Elia Kazan's significant impact on American cinema in the 1950s, highlighting his notable films like 'On the Waterfront' and his pivotal role in launching stars like Brando and Dean. It tackles the moral complexities of his decision to name names during the HUAC hearings, exploring the tension between personal integrity and artistic freedom. The podcast also reflects on themes of individuality versus collectivism in Kazan’s work, revealing how his controversial choices shaped his legacy and the film industry.
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Early Communist Involvement And Disillusion
- Elia Kazan briefly joined the Communist Party in the 1930s but soon grew disillusioned with its collectivist practices.
- He remained committed to socially conscious theatre while rejecting party control and group decision-making.
Casting Brando Changed Acting
- Kazan cast Marlon Brando in A Streetcar Named Desire after meeting him through the Actor's Studio and Tennessee Williams adored Brando's audition.
- The production helped launch Brando into stardom and changed cinematic acting forever.
Initial HUAC Hearing And Refusal
- Kazan first testified privately to HUAC in January 1952 and refused to name names during that closed session.
- He left convinced the committee already had the information it sought and called the hearing a "degradation ceremony."
