Women artists continue to be excluded from positions of power and visibility in the American theatre industry. Recent research, including a provocative study by Princeton alumni Emily Sands, indicates that plays by women are less frequently produced now than they were at the turn of the 20th century. More women have won the Pulitzer Prize for Drama in recent years, including Suzan-Lori Parks (Top Dog/Underdog) Paula Vogel (How I Learned to Drive) and this year, Lynn Nottage (Ruined), but very few women ever win the Tony Award for playwrighting or directing. What does this imply? Why and how does gender disparity persist in theatre? Leading women involved with theatre will discuss these issues, their experiences and their vision in a day-long conference at Princeton University on Saturday, September 26th.
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