With her book Hollywood in China: Behind the Scenes of the World's Largest Movie Market (New Press, 2022), media scholar Ying Zhu explores the 100+ year relationship between what are now the world's two largest movie markets: China and the United States.

Zhu is a Professor at Hong Kong Baptist University's Academy of Film, and the founder/chief editor of Global Storytelling: Journal of Digital and Moving Images. Hollywood in China (July 2022, The New Press) is her fourth book, and it offers a comprehensive chronology of the Hollywood-China relationship, with numerous specific case studies.

In this podcast, Anthony Kao chats with Zhu about the book, and delves into matters like reactions to "China-humiliation films" during the 1911-1949 Republican Era, Madame Mao's penchant for Hollywood classics, and what the future might hold for relations between China and Hollywood.

Some movie recommendations from Ying Zhu (learn more by listening until the end of this episode):

From the 1990s: Zhang Yimou's To Live and Tian Zhuangzhuang's Blue Kite (discussed more in one of Ying's earlier books)
From the 2000s: Li Yang's Blind Shaft (analyzed in one of Ying's articles)
From the 2010s: Feng Xiaogang's I Am Not Madame Bovary (explored in Hollywood in China)

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, The Diplomat, and Eater.

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