No Fanboys Need Apply: Wired bares real teeth.

For a certain type of tech executive, and a certain type of fan of tech executives, the point of technology journalism is to cheerfully show off the cool new toys Silicon Valley creates.

For the staff of Wired, the point of technology journalism is to hold the most powerful companies and people in our society accountable for the decisions they make. That has made the magazine remarkably unpopular with many people in the tech world (including newly minted trillionaire Elon Musk) and more popular than ever with everyone else: the magazine added more than two hundred thousand subscribers in the past year.

Tim Marchman, Wired’s senior director of science, politics, and security, loves accountability journalism and has a particular fondness for scoops showing the tight ties between our government and Bay Area tech leaders. With his colleague Leah Feiger, the senior politics editor at Wired, Marchman dramatically expanded the magazine’s politics staff and oversaw its award-winning coverage of how Musk and a group of teenagers ran a buzzsaw through the federal government, and what havoc they wreaked in the name of “efficiency.”

Earlier this month, I interviewed Marchman at Jimmy’s Corner during an event to celebrate the release of CJR’s new special issue, about what access means in journalism today. Listen below to hear him discuss why going hard on politics was a natural choice for a tech magazine, explain how his team got so many scoops about DOGE, and respond to the haters. 

Show Notes:

A 25-Year-Old with Elon Musk Ties Has Direct Access to the Federal Payment System, Vittoria Elliott, Dhruv Mehrotra, Leah Feiger, and Tim Marchman, Wired.

The Young, Inexperienced Engineers Aiding Elon Musk’s Government Takeover, Vittoria Elliott, Wired.

Inside Elon Musk’s ‘Digital Coup,’ Makena Kelly, David Gilbert, Vittoria Elliott, Kate Knibbs, Dhruv Mehrotra, Dell Cameron, Tim Marchman, Leah Feiger, Zoë Schiffer, Wired.

Credits:

Host: Megan Greenwell
Producer: Amanda Darrach
Audio engineer: Fernando Fermino
Video technician: Alex Hamm