In this seminal work, Hannah Arendt explores the historical and philosophical roots of totalitarianism. The book is structured into three essays: 'Antisemitism', 'Imperialism', and 'Totalitarianism'. Arendt examines the rise of anti-Semitism in 19th-century Europe, the role of European colonial imperialism, and the emergence of totalitarian movements in Nazi Germany and Stalinist Russia. She argues that totalitarianism is a novel form of government that differs from other forms of political oppression by its use of terror to subjugate mass populations and its aim for global domination. The book also delves into the mechanics of totalitarian movements, including the transformation of classes into masses, the role of propaganda, and the use of terror to maintain control[2][4][5].
Written by C.L.R. James in 1938, 'The Black Jacobins' is a pioneering historical work that recounts the Haitian Revolution of 1791–1804. The book places the revolution in the context of the French Revolution and highlights the leadership of Toussaint L'Ouverture, who rose from being a slave to a prominent figure espousing the French Revolutionary ideals of liberty and equality. James's work challenges conventional historiography by emphasizing the agency of the enslaved and their role in shaping their own history. It also explores the broader implications of the Haitian Revolution, linking it to the destruction of European feudalism and the global struggle against colonialism and slavery[1][4][5].
Written in epistolary form, the novel tells the story of Victor Frankenstein, a brilliant and ambitious scientist who, driven by Enlightenment-era ideas of progress and science, creates a living being from dead body parts. However, upon seeing the creature come to life, Frankenstein is horrified and abandons it. The creature, shunned by society due to its appearance, seeks revenge against its creator, leading to a series of tragic events. The novel explores themes of guilt, loss, and the emotional and moral consequences of scientific hubris, blending elements of Gothic and Romantic literature.
Moby-Dick is a novel that tells the story of Captain Ahab's maniacal quest for revenge against Moby Dick, the giant white sperm whale that bit off his leg. Narrated by Ishmael, the story follows the crew of the whaling ship Pequod as they embark on a journey that explores themes of obsession, man vs. nature, and the existential questions of good and evil. The novel is rich in detailed descriptions of whale hunting and life aboard a culturally diverse crew, and it has become a cornerstone of American and world literature[2][3][5].
The Interesting Narrative of the Life of Olaudah Equiano is a foundational work in the genre of slave narratives. It chronicles Equiano's life from his childhood in Africa, through his enslavement and the horrors of the Middle Passage, to his eventual freedom and role as an abolitionist in England. The narrative blends elements of memoir, travelogue, and spiritual journey, offering a powerful critique of slavery and its dehumanizing effects.
Published in 1667, 'Paradise Lost' is an epic poem in blank verse that follows the biblical story of the Fall of Man. The poem begins in medias res, detailing the descent of Satan and his followers into Hell after their rebellion against God. It explores two main narrative arcs: one focusing on Satan's actions and the other on Adam and Eve's story in the Garden of Eden. The poem delves into themes such as free will, obedience, revenge, and pride, and it portrays the complex characters of Satan, Adam, and Eve. Milton's work is known for its rich language, classical structure, and profound theological and philosophical insights[1][3][5].
There are few pieces of literature that remain as prescient and relevant throughout history as John Milton’s Paradise Lost. Thomas Jefferson, Malcolm X, Virginia Woolf, Thomas Paine and dozens more drew inspiration from and studied Milton’s grand work and the revolutionary themes within it.
Professor Orlando Reade, in his book, What in Me Is Dark: The Revolutionary Afterlife of Paradise Lost, examines the epic poem’s influence in the four centuries since its publication and joins host Chris Hedges on this episode of The Chris Hedges Report to discuss this history.
Reade begins with the historical context of the poem, which was after the seventeenth century English revolution that overthrew the monarchy. Milton’s work, Reade and Hedges explain, embodies critiques of both monarchy and revolution.
“The reader is presented with a figure of Satan that seems a lot like Milton himself, a failed revolutionary recovering from a disastrous defeat and often articulating arguments against God, who Satan calls a tyrant, that Milton himself had made against the English King,” Reade explains. “So the great mystery of Paradise Lost is trying to figure out why Milton gives us a Satan that seems so much like himself.”
The historical parallels found within Paradise Lost clearly resonate with figures in history, especially those in the struggle for freedom and abolition. Reade emphasizes how many times the poem is referenced throughout this history.
“This is not an epic poem that spends much time celebrating the heroic deeds of men. It's not a macho poem. It's a poem for which the most heroic acts are true to the New Testament. They're humble and often quiet acts of love, of forgiveness, and so on,” he says.
The Chris Hedges Report 
