Strong Songs

Bluey, Background Jazz, and the 'Best' Metal Guitar Solo

9 snips
May 2, 2025
Guest
Nevada Jones
Nevada Jones, a skilled voice teacher and composer known for working with transmasculine vocalists, joins the discussion. Highlights include the rhythmic complexities of The Police's 'Bed's Too Big Without You' and the emotional resonance of Megadeth's iconic 'Tornado of Souls' solo. They dive into the soothing allure of background jazz music on streaming platforms and explore the connections between AI, human musicianship, and the importance of vocal support. Plus, insights into the funky intricacies of Sly Stone's 'Sex Machine' and the charming theme from 'Bluey.'
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INSIGHT

Counting Police's Reggae Beat

  • The Police's "Beds Too Big Without You" uses a reggae-influenced groove with the kick on the 2 and 4 beats or on 3 when counting twice as fast.
  • The syncopation challenges usual downbeat expectations and can confuse listeners counting the beat.
INSIGHT

Mixed Meter Jazz Groove Explained

  • Lydian Collective's "Thirty One" is complex mixed-meter jazz that flows gracefully through time signatures but is anchored by a consistent underlying pulse.
  • Ultimately, the song's groove feels like it's in 12/8 time despite the intricate subdivisions.
ADVICE

Navigate Fake-Out Intro Effects

  • The intro of Randy Newman's "I Love LA" features a rhythmic fake-out where the first figure is played on the downbeat but subsequent ones are anticipated.
  • Listen carefully to get the groove as it quickly switches to a consistent pattern.
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