“No derivative shit.” Spooky season concludes with Waxwork Records co-founder Kevin Bergeron, who talks to Gemma and Slim about his four favorite films—Black Christmas; Hausu; Tetsuo: The Iron Man and The Exorcist—and the craft and care that goes into Waxwork’s vinyl reissues of great horror soundtracks. Watch Hausu before 30 November 2022, tag your review with “waxwork”, and you’re in the draw to win a copy of the brand new soundtrack to the 1977 horror-fantasy classic (est. $35 value).

Plus: never use a ouija board in your own home, the original hot priest, the feminist horror of Black Christmas, psychiatry versus spirituality in 1970s America, the curse of being a single mom, finding your tribe, stealing White Zombie cassettes, hanging out with Glenn Danzig, building a record plant and shooting your shot, the genius of horror-soundtrack composers, and William Friedkin is a boss.

Lists & Links:
The Letterboxd list of films mentioned in this episode; Milo’s “movies that have the craziest last 15 or 20 minutes”, Mosquitodragon’s “Elevated Horror” is nothing new”, Andre de Nervaux’s “You’re not the same person once the film has finished”. Waxwork Records.

Reviews of Tetsuo: The Iron Man by Hoyden42, Alee55, Black Christmas by Alex, Mag, The Exorcist by Lucy, Matt Brown, Hausu by Ayo Edebiri.

Credits:
This episode was recorded in New Orleans, Auckland and Pennsylvania, and edited by Slim. Facts by Jack. Booker: Brian Formo. Transcript by Sophie Shin. Art by Samm. Theme: ‘Vampiros Dancoteque’ by Moniker. The Letterboxd Show is a TAPEDECK production.