Culture chat: ‘Alien: Romulus’ is all horror, no guts
Aug 23, 2024
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Join Cailee Spaeny, the star of 'Alien: Romulus,' who bravely navigates an abandoned spacecraft, along with FT Weekend's senior editor Horatia Harrod and political columnist Stephen Bush. They dive into the latest installment of the iconic sci-fi franchise, debating its connection to the original series and its shortcomings in character development. The conversation also touches on Disney's influence on creative cinema and the importance of quality children’s programming, highlighting the struggle for genuine storytelling in film and music.
Alien: Romulus struggles with character depth and emotional impact, failing to resonate as strongly as earlier franchise films did.
The film's reliance on fan service raises concerns about the creative direction of the Alien franchise and its future storytelling opportunities.
Deep dives
Film Overview and Themes
The latest addition to the Alien franchise, Alien Romulus, features Kaylee Spaney as a character striving for freedom under a powerful corporation, alongside her robot brother, played by David Johnson. Critics note that while the film retains classic franchise elements like face-huggers and acid blood, it struggles to resonate deeply with audiences, often feeling superficial. Conversations around the film highlight a missed opportunity for richer thematic exploration, such as the narrative of escaping a hard life, which is introduced but quickly abandoned for more common horror tropes. The film leaves viewers contemplating its weaknesses, particularly the heavy reliance on fan service rather than innovative storytelling.
Character Depth and Engagement
Critiques of character development in Alien Romulus indicate a significant lack of depth, where aside from the leads, most characters are interchangeable and less memorable. The deaths of characters are perceived as lacking impact, failing to evoke the weight that previous films in the franchise managed to achieve. Notably, discussions reference how the original films established strong character connections that heightened the horror experience. These new developments suggest a regression in narrative quality, leaving viewers disappointed and longing for the emotional intensity found in earlier installments.
The Future of the Franchise
There is growing concern about the trajectory of the Alien franchise, especially regarding its creative direction following Alien Romulus. The film's commercial success raises questions about whether studios will prioritize safe, formulaic approaches or invest in more ambitious storytelling. Critics argue that the current corporate landscape, particularly with Disney's control, may hinder innovative ventures, as seen with other franchises that balanced profitability with creativity. As the industry navigates nostalgia and fan service, the hope remains for future projects to break free from these constraints and pursue meaningful narratives.
This week, we discuss Alien: Romulus, the latest instalment of the space-epic franchise. The film stars Cailee Spaeny, who, along with a group of friends climbs aboard an abandoned spacecraft only to find some very familiar murderous aliens. Is this new entry an evolution of the series or does it simply play the hits? And what do we want out of sci-fi franchise films? Guest host Topher Forhecz is joined by FT Weekend senior editor Horatia Harrod and political columnist Stephen Bush.
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