

S3 Episode 2: Stephanie Leah Evans
In this episode, Hayley and Amy speak with music assistant and score coordinator Stephanie Leah Evans about her Broadway debut, the importance of music notation for opening up creativity, representation and power dynamics in music departments, setting boundaries to establish trust, and more. Click here for a transcript of the episode!
Episode Notes
Guest: Stephanie Leah Evans
Hosts: Hayley Goldenberg and Amy Andrews
Music: Chloe Geller
Episode Resources:
Sweeney Todd - Broadway Revival
Guest Bio:
Stephanie Leah Evans, a.k.a. "SLE" (she/her) is a Score Coordinator/Music Assistant specializing in Piano/Vocal score upkeep and formatting, copy-editing, transcription, and team organization. Her versatility with numerous music programs, from Finale to Sibelius and from Logic Pro X to ProTools, readies her to assist and liaise for any Music Team! Previous credits include stage productions Sweeney Todd 2023 Revival (Broadway), Kiss My Aztec (Hartford Stage), The Visitor (The Public Theater), Bob & Carol & Ted & Alice (The New Group), and The Wrong Man (MCC Theater). Stephanie also serves as an assistant to Alex Lacamoire, for whom she did Music Preparation and Score Coordination on the films In the Heights, VIVO, and Tick, Tick…Boom! Additionally, Stephanie is a singer with an extensive background in opera, musical theater, choir, and a cappella. Throughout her education, she played roles such as Susanna in Le Nozze Di Figaro, Miss Todd in The Old Maid and the Thief, Hope Cladwell in Urinetown, and Hodel in Fiddler on the Roof. All the while, she performed choral pieces from Bach to Esenvalds, recorded albums of Jewish music, and studied the psychological implications of chromatic harmony in film scores. Summary is: Stephanie has always been a music nerd. Currently, she's working on her own writing — exploring her passions of social justice, mental health, Jewish identity, and romance through musical storytelling.
Find Stephanie Online:
Website: stephanieleahevans.com
Instagram: @steph.l.evans
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