Who speaks for whom within the Romani rights movement today? This is the question that drives Adriana Helbig’s investigation into the relationship between development aid and Romani musicians in her book, Resounding Poverty. Her findings are crucial as are provocative: NGOs unintentionally perpetuate narratives of Romani life that continue to marginalize the poorest among them. And while aid is crucial, it also fails to address issues of poverty, community, and health particularly in rural areas. The Eurasian Knot spoke to Helbig about the fraught and complicated presence of NGOs in postsocialist space, the tensions between aid and agency, the pressure Romani musicians face to perform "gypsiness" for non-Romani audiences, and her personal insights about conducting research in Ukraine and how her own family history intersects with her academic work. We even listen to some music by the Carpathian Ensemble, a University of Pittsburgh student group that Helbig directed. highlighting the challenges and rewards of representing Romani music in an academic context.
Guest:
Adriana N. Helbig is Associate Professor of Music and former Assistant Dean of Undergraduates at the University of Pittsburgh. She is the author of Hip Hop Ukraine: Music, Race, and African Migration. Her most recent book is ReSounding Poverty: Romani Music and Development Aid published by Oxford University Press.
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