Ch. 30: Beth McCarthy-Miller, Director | Ian Phillips, Production Designer
Oct 12, 2018
auto_awesome
TV director Beth McCarthy-Miller and production designer Ian Phillips discuss the challenges of their jobs, the difference between a production designer and an art director, and the process of creating props for the show. They also share funny anecdotes and behind-the-scenes stories, including the influence of Jacksonville Jaguars fans on the writing and Mike Schur's love for cake and banners.
Insights into the decision-making process and challenges of creating the visual elements of the show, including set design and props.
Exploration of how humor is used to tackle complex philosophical concepts and highlight character growth.
Deep dives
Michael and Janet surveil the humans
After Michael and Janet escaped to Earth, they set up surveillance of the humans. They decide to help the four along in their ethical journey by solving problems, such as Eleanor needing money and Tahani needing a romantic partner. However, their attempts backfire, causing tensions within the group. Eleanor, feeling the loss of the only group she's ever belonged to, lashes out before ultimately apologizing.
Michael and Janet's plan goes awry
To keep the group together, Michael and Janet come up with a plan to sneak into the judges' chambers and figure out how to reset the Earth timeline. However, the humans catch them in the act. The desperate and risky nature of their plan showcases the depth of Michael's care and connection with the group, as well as his willingness to take drastic measures to protect and guide them.
The challenges and sacrifices of the production design process
The episode features insights from production designer Ian Phillips and director Beth McCarthy Miller. They discuss the decision-making process behind the show's visual elements, such as the set design, graphics, and props. They also touch on the challenges and choices related to budgeting, scheduling, and creating the specific atmospheres and aesthetics required for each scene.
Humor, connections, and character growth
The podcast episode highlights the show's clever humor and wordplay. It explores how humor is used to tackle complex philosophical concepts, just as in the scene where Stone Cold Steve Austin and The Rock are used for illustration. The growth of the characters, particularly Eleanor and Michael, is underscored as they learn to apologize, connect with others, and prioritize relationships over personal agendas.
The Good Place production designer Ian Phillips and TV director Beth McCarthy-Miller shoot the shirt with host Marc Evan Jackson. They talk about the differences between the art department jobs, how Beth approaches directing an episode on a new TV show, Mike Schur’s love for cake and banners, Jacksonville Jaguars fans’ influence on the writing and a shirt-ton more funny anecdotes and behind-the-scenes stories.