The Rest Is History with Kelly Reichardt & Kenneth Lonergan
Jan 26, 2021
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Kelly Reichardt and Kenneth Lonergan discuss following Todd Haynes to Portland, cattle politics, the nature of the American Experiment, the challenges of making period films, lessons from Lyndon Johnson, the randomness of art, and the actor/movie star dichotomy.
Kelly Reichardt followed Todd Haynes to Portland and built relationships with local filmmakers, which influenced her decision to make several of her films set in Oregon.
Kenneth Lonergan is fascinated by history, particularly the American West and the power structures of early America, which often serve as themes in his work.
Deep dives
Overview and Introduction
In this episode of the A24 podcast, director Kelly Reichardt and writer Kenneth Lonergan have a conversation. They discuss their past collaborations, their first meeting, and their upcoming film titled 'Showing Up'. They also touch on the topic of taxes and discuss their respective locations in Portland, Oregon and Long Island.
Kelly Reichardt's move to Portland and her films in Oregon
Kelly Reichardt talks about her move from New York to Portland and how she started making films in Oregon. She explains that her connection to the state began when she followed director Todd Haines, and she gradually built relationships with local filmmakers. She mentions that several of her films are set in Oregon, with a focus on the diverse corners of the state.
Kenneth Lonergan's interest in the past and period pieces
Kenneth Lonergan expresses his interest in history, specifically the past and period pieces. He shares his fascination with the American West and the pioneers who ventured into the unknown. Lonergan discusses how his work often delves into the beginnings of capitalism and the problematic nature of the power structures in early America.
Discussion on casting and the spontaneity of performances
Reichardt and Lonergan discuss the process of casting actors and bringing characters to life. They explore the idea of casting actors based on their essence or ability to portray a different persona. They touch on the spontaneity of performances and how actors can surprise and bring a fresh perspective to their roles. They also discuss the balance between planned performances and the unexpected moments that arise during filming.
Topics covered include: following Todd Haynes to Portland, cattle politics, the nature of the “American Experiment,” why it’s so hard to make a good period piece, lessons from Lyndon Johnson, whether Mark Ruffalo could effectively play an evil person (answer: yes), the randomness of art, the actor/movie star dichotomy, bad old movies versus bad new movies, and why it’s always better when there’s a dog.
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