The Wandering DP Podcast: Episode #464 – Camera & Lenses
Dec 10, 2024
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Delve into the challenges of camera ownership for cinematographers and learn how post-shoot etiquette can shape professional dynamics. Discover strategies for maximizing income and the importance of strategic work arrangements. The podcast shares personal stories about lens purchases, from budget-friendly options to the financial pitfalls of high-end gear. Gain insights on how owning a complete camera kit can enhance your negotiation power in the film industry, setting you up for success in this unpredictable field.
Cinematographers must prioritize honing their skills over simply accumulating gear to progress in their careers effectively.
The social dynamics on set post-shoot require understanding unspoken rules about leaving and professional courtesy among crew members.
A shift towards hourly pay over buyouts in cinematography jobs better reflects the unpredictable nature of shoots and ensures fair compensation.
Deep dives
The Camera Ownership Dilemma
The discussion revolves around the various stages of a cinematographer's career, particularly regarding camera ownership. Depending on their experience and current job situations, cinematographers may feel the need to own a camera, choose to avoid the complexities of gear ownership, or oscillate between having multiple cameras and none at all. This ebb and flow reflects the ongoing struggle with the relevance and necessity of owning a camera in a field where collaborative work often involves shared equipment. The speaker emphasizes that ultimately, focusing on honing one's skills rather than merely accumulating gear is key to career progression.
Dealing with Post-Shoot Protocols
The podcast highlights the varied protocols that cinematographers must navigate after a shoot wraps up. There is often an unspoken rule regarding how long one should stay on set, influenced by factors such as location and crew size, which can dictate whether a cinematographer can leave immediately or must remain longer. While some cinematographers feel obliged to help with packing up gear, the speaker reveals a personal rule to only leave after the First Assistant Director does, reflecting a balance between professional courtesy and understanding one's place within the crew hierarchy. This aspect of the job illustrates the complexities of social dynamics on set post-shoot.
The Buyout vs. Hourly Pay Debate
A significant point raised in the episode is the debate surrounding buyouts versus hourly pay in cinematography jobs. Buyouts may have been standard practice historically, but the speaker suggests that current trends warrant a departure from this model in favor of more traditional hourly compensation structures. This change aims to ensure fair payment for time worked, notably with the unpredictability of many shoots creating confusion about when one should be compensated for additional hours. The move towards hourly pay reflects a shift towards valuing time and effort invested in cinematography work more accurately.
Navigating the Costs of Camera Equipment
The conversation underscores the complexities associated with purchasing cameras and lenses, emphasizing that they typically require more financial commitment and planning than smaller gear items. The speaker advises against making impulsive decisions on major purchases and encourages aspiring cinematographers to first acquire smaller, less expensive equipment before investing in cameras and lenses. They point out the danger of financing major gear purchases, recommending that individuals should build their inventory gradually and with clear financial strategies in mind. The focus should remain on ensuring that one's cinematography skills can support equipment investments.
Learning the Business Side of Cinematography
An essential takeaway from the episode is the importance of understanding the business aspects of cinematography, including finance and economics. The speaker advocates for cinematographers to not only focus on creative skills but also engage with the financial side to mitigate risks and maximize profitability over their careers. Understanding the value and potential earnings associated with each piece of equipment can significantly influence investment decisions. By maintaining a solid grounding in business strategies, cinematographers can navigate the industry's complexities and enhance their career stability.
A few episodes back on the podcast I ran through my thoughts on owning gear and the gross miscalculation of lifetime returns that most working cinematographers make.
If you miss opportunities as large as the one that most DPs have in front of them it is going to be very difficult to get ahead even if you are very in demand for your skills.
This week I wanted to go in to the two main areas I didn't discuss on the last show and that is camera and lenses. These two categories are by far the most difficult and require the most nuance when you are spouting off advice to a large cohort of individuals at one time.
I have screwed up majorly when buying in both of these departments and I am sure many of you will have similar stories. Hopefully you can learn from my mistakes.