Sumerian princess Enheduana, the world's first author, composed remarkable hymns as high priestess in Ur. Anna Della Subin discusses her new translation, challenging our ideas of authorship and literary history. They also explore the unique relationship between writing and weaving, the rediscovery of Enheduana's lost poems, the chanting quality of ancient verses, and metaphors of creation in literature.
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Quick takeaways
Enheduana, a Sumerian princess, is recognized as the world's first known author, challenging traditional ideas of literary history and authorship.
Enheduana's hymns, composed as high priestess of the temple of the moon god, showcase the power of literature in invoking gods and shaping human fates.
Deep dives
Enhedwana: The World's First Author
Enhedwana, a Sumerian princess who lived around 2,300 BCE, was not only a high priestess but also the world's first known author. She managed the affairs of the temple to the moon god while writing poems that exalted the power of the goddess Anana. Through her verse, she sought to avert calamities and shift human fates. Her poems were signed with her name, establishing her claim to authorship. Although the exact time and circumstances of her life events are debated, her existence as a real person and author is confirmed by archaeological evidence. With her poetry, Enhedwana not only shaped the ancient literary landscape but also raised questions about the nature of authorship and the mystical relationship between the author and their text.
Enhedwana's Influence on World Literature
Enhedwana's writing predates famous works like the Epic of Gilgamesh, making her a significant figure in the history of world literature. While she may not be as widely known as other authors, recent translations and scholarship aim to bring her into the broader literary canon. Enhedwana's poems, containing themes of power, devotion, and a touch of militancy, challenge our notions of the ancient author and their works. With her complex relationship with the moon god and her role as a priestess, Enhedwana's poetry adds a unique perspective to the literary landscape of her time.
The Power of Enhedwana's Poetry
Enhedwana's poems, predominantly hymns, carried great weight and purpose. She used her verse to invoke gods, avert calamities, and exalt the power of the goddess Anana. The chanting and cantatory quality of her poetry, performed aloud in the temple, aimed to bring about tangible outcomes. Her hymns demonstrated a belief in the efficacy of poetic words and celebrated the divine power she served. The clay tablets preserving her poems also highlight the physicality of written objects and the enduring nature of literature throughout history.
Enhedwana's Legacy: The Literary Eve
Enhedwana, known as the world's first known author, holds a significant position as a literary ancestor. Her status as a feminist myth challenges traditional notions of authorship and offers the promise of restoring more female authors to the canon of world literature. While debates exist about the exact nature of her authorship and the attribution of her poems, Enhedwana's name and work have gained greater recognition in recent years. As a literary ancestor, she symbolizes the collective product of multiple minds and voices, weaving together the act of writing and the power of literature throughout time.
Enheduana was a Sumerian princess who lived around 2300 BCE and composed what is now regarded as the earliest poetry by a known author. Her father, Sargon of Akkad, is said to have created the world’s first empire, stretching from the Persian Gulf to the Mediterranean, and as part of his imperial mission he installed his daughter as the high priestess of the temple of the moon god, Nanna, in the city of Ur. In that capacity, Enheduana composed hymns of remarkable beauty, often governed by a powerful authorial voice.
Anna Della Subin joins Tom to discuss a new translation of Enheduana’s complete poems, read some of them in the original Sumerian, and consider the ways in which they challenge our ideas of authorship and literary history.