Cinematographer Don Burgess discusses working on iconic films like Forrest Gump and Aquaman. He shares insights on collaborating with director Robert Zemeckis, shooting night scenes on Cast Away, and developing local crews worldwide. The episode also highlights his experience surviving the challenging production of Sorcerer and remotely DPing a shot across the Pacific Ocean.
Don Burgess developed local crews worldwide after film incentives introduction.
The cinematographer meticulously plans shots and lighting to align with storytelling vision.
Innovative filmmaking techniques like LED panels enhance realism in movie scenes.
Deep dives
Evolution of Cinematography Passion from Family Background
Understanding the renowned cinematographer's roots unveils a lineage steeped in architecture and construction. Growing up around family members immersed in architectural design and building, his initial flirtation with a career as an architect shifted drastically during a high school photography class. The transformative moment occurred when he witnessed the development of his first black and white print, sparking a passion for photography and the realm of cinematography.
Real-World Cinematography Education through Filmmaking Experience
Embarking on his filmmaking journey during high school, the cinematographer explored different genres, from ski movies inspired by Warren Miller to adventure documentaries. Learning the trade firsthand with filmmakers like Mike Hoover, he delved into capturing compelling narratives both in dramatic films and sporting events, underlining the essential nature of storytelling elements and the pivotal role of capturing all pieces to unfold a cohesive story.
Collaborative Director-Cinematographer Dynamics and Visual Storytelling
In his collaborations with director Robert Zemeckis, the cinematographer delves into the intricacies of pre-production processes, where he meticulously plans shots, framing, and lighting to craft visual narratives that align seamlessly with the storytelling vision. With a keen eye for detail and a commitment to simplicity in composition, the duo navigates through visual challenges, creating iconic shots through innovative camera techniques and a dedication to visual coherence. The blend of artistry, communication, and technical expertise culminates in cinematic masterpieces that intricately weave storytelling with visual allure.
Innovative Filmmaking Techniques for Realism
In the podcast episode, the discussion revolves around the innovative filmmaking techniques used to enhance realism in movie scenes. One key point highlighted is the use of LED panels and projection technology to create realistic environments within the controlled setting of a stage. By shooting plates in real locations and incorporating them into the scene lighting, the filmmakers successfully immerse the audience in the narrative. The example of shooting a sex scene in a car with revolving cameras and LED walls demonstrates the meticulous attention to detail in creating believable cinematic experiences.
Adapting to Evolving Cinematography Challenges
The podcast delves into the cinematographer's role in adapting to changing industry trends and directorial styles. The conversation compares experiences working with different directors like James Wan and Robert Zemeckis, showcasing varied approaches to visual storytelling. The discussion touches on the evolution of cinematography techniques from wire-harness setups for underwater scenes to motion capture methods, reflecting the shift towards virtual filmmaking processes. The cinematographer's involvement in post-production color grading and the challenges and benefits of remote shooting highlight the dynamism and flexibility required in modern filmmaking.
SEASON 2 - EPISODE 92 - DON BURGESS - CINEMATOGRAPHER
On this episode of the Team Deakins Podcast, we speak with cinematographer Don Burgess (AQUAMAN, CONTACT, FORREST GUMP). Always the outdoorsman, Don spent much of his youth and young adulthood filming sports movies and learning the ropes while hanging off them on the side of a mountain. We learn how he fell in with director Robert Zemeckis in a pivotal meeting to shoot FORREST GUMP and how they typically prepare and work together through production. We also discuss Don’s night work on CAST AWAY and the difficulties of working on a tropical island. We reflect on deriving strength from longtime crew members, and Don reveals how, after the introduction of film incentives, he’s since developed local crews around the world. Later, Don gives us a recent example of when he was able to remotely DP a shot across the Pacific Ocean with his trusted New Zealand crew. Among his many illustrious credits, Don can also boast of surviving the 2nd unit on the arduous production of director William Friedkin’s SORCERER.
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This episode is sponsored by Godox
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