Localisation of Islamic Arts in Malaysia

The Malay world boasts a wealth of diverse cultures. The arrival of Islam in the Malay world during the 12th to 13th centuries permanently transformed the aesthetic landscape, and even European colonisation could not stem this change.

In this episode of the Nordic Asia Podcast, Prof. Julie Yu-Wen Chen from the University of Helsinki talks to Dr. Dzul Afiq bin Zakaria and Dr. Wahyuni Masyidah Binti Md Isa from the Faculty of Creative Arts, University of Malaya about the localisation of Islamic arts in Malaysia. They illuminate the core of Islamic arts, which view art as a reflection of their faith. In Islam, there is no fundamental distinction between spiritual and secular art, enabling the qualities of Islamic architecture and arts to rise above mere aesthetics and utility. Dr. Dzul Afiq bin Zakaria, a distinguished scholar and artist, possesses artwork that can be shared with our audience to elucidate the relationship between culture, philosophy, and the arts within the Malay world. Dr. Wahyuni Masyidah Binti Md Isa’s research employs Motion Capture technology to chart and conserve Islamic art. For example, Senaman Melayu Tua is a therapeutic exercise rooted in Malay culture. This exercise harmoniously integrates with both Malay culture and Islam, yielding comprehensive positive effects on the spiritual aspect by fostering inner peace, patience, and self-awareness. Her research utilises technology to visualize the micro-lines embedded within Senaman Melayu Tua.

Julie Yu-Wen Chen is Professor of Chinese Studies and Asian studies coordinator at the Department of Cultures at the University of Helsinki (Finland). Chen is one of the Editors of the highly-ranked Journal of Chinese Political Science. Formerly, she was Editor-in-Chief of Asian Ethnicity.

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