Theatre was an integral part of the struggle against apartheid in South Africa. Performers such as John Kani and Winston Ntshona, as well as playwrights such as Athol Fugard, created some of the most vital political theatre of the twentieth century. But what are we to make of such theatre when the immediate circumstances that led to its creation have passed? What is the enduring legacy of works such as Sizwe Banzi Is Dead, the international hit that stemmed from Kani, Ntshona, and Fugard’s collaboration?