Aaron L. Miller, "Basketball in Japan: Shooting for the Stars" (Routledge, 2024)

Today we are joined by Aaron Miller, Lecturer in Kinesiology at California State University, East Bay and the author of Basketball in Japan: Shooting for the Stars (Routledge, 2025.) In our conversation, we discussed the beginnings of basketball in Japan, the ongoing legacy of Samurai culture in Japanese sport, and what Japanese basketball’s success might look like in the future.

In Basketball in Japan, Miller uses anthropological and ethnographic research approaches to ask why basketball in Japan is so popular with young people but less so with adults. Through a long series of conversation and observations, he leads readers to better understand the ways that sports shed light on shifts in Japanese identity. He also raises questions about to what extent Japanese coaches and players think about basketball in a specifically Japanese way.

Building on a decade of research into Japanese sport and a year of field work inside of several Japanese sporting organizations, Miller’s compelling and readable account of Japanese basketball’s growing cultural status does not move chronologically. Instead, he uses his conversations with his interlocutors to address thematic questions that help him to explore the interplay between basketball and ideas of Japanese identity, gender, and race.

His first chapter, “Be-longing” looks at the anonymized MU basketball club, a university sporting organization in Tokyo, as a total institution that thrived thanks to the commitment and discipline of an intergenerational group of administrators, coaches, players, and supporters. Their engagement was not without consequence – some of the players even likened basketball to a lover that took up all their time.

In his second chapter, “Thinking Basketball”, Miller examines the tension between coaches who trained players based on the best practices of sports science, and the “commander ball” coach that drew on older notions of Japanese masculinity linked to notions of Bushido. Miller’s work teases out the conflicts: in practice, many players felt more comfortable with the more authoritarian styles of the coaches similar to those they had in youth basketball. Miller also found that no coach was a practitioner of purely “thinking” or “commander” ball – there was a fine gradient between the two styles.

Many of the chapters address Japanese identity and the links between a Japanese way of playing sports and masculinity. In his chapter, “DNA”, Miller explores the inclusion of non-ethnically Japanese players into the Japanese game. He notes that the introduction of players from other countries has helped Japanese teams (from the high school to professional level) to improve competitively but it has also provoked considerable conversation about what it means to be Japanese and about whether people from overseas can meaningfully represent a school, a university, or the nation.

In both “Boys, Be Ambitious” and “Waiting for a Male Hardwood Hero”, Miller points to the ways that sports in Japan have been coded as male. He notes that sexism in Japanese basketball means administrators have missed the opportunity to promote the successes of Japanese women in the WNBA and the Olympic Games.

Miller’s deeply researched insider account into Japanese basketball from the late 19th century until today opens new avenues for considering physical culture beyond baseball and martial arts. Basketball in Japan will be of broad interest to scholars interested in Japanese culture and society, basketball buffs, and to readers with a general interest in sport.

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