Pluribus: The Official Podcast S1E7: Paul Donachie
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Dec 17, 2025 Paul Donachie, a seasoned director of photography known for his work on documentaries and series like Better Call Saul, shares insights from his intriguing career. He reflects on his early days capturing the high-speed drama of Formula One, discusses the unique cinematic approach needed for Pluribus, and highlights the challenges of shooting in the jungle landscape of the Canary Islands. Donachie also emphasizes the importance of supporting first-time directors and meticulously planning each shot to tell a compelling story.
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Early Formula One Documentary Run
- Paul Donachie shot a year-long Formula One documentary early in his career, traveling globally every two weeks.
- He met drivers like Ayrton Senna and filmed from pits, boats, and trackside, which he calls great fun.
Choose Practical Vehicles In Preproduction
- Prep vehicle choices early and ask for practical variants like a convertible to enable camera placement and better coverage.
- Donachie requested an MG convertible to allow shooting around and inside the car for better visuals.
Jungle Location Logistics
- The crew carried boxes of kit down narrow jungle paths to a valley with a waterfall to shoot multiple vignettes.
- Donachie sometimes shot day-for-night there because the schedule and limited night setups required it.