The Big Picture ‘Wicked: For Good’ Is No Good. But ‘Train Dreams’ Is.
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Nov 21, 2025 Juliet Litman, a Broadway and pop-culture commentator, and Clint Bentley, a film director, join in a lively discussion about the cinematic world. They express frustrations with the narrative choices in ‘Wicked: For Good,’ dissecting its one-dimensional characters and pacing issues. Clint also shares insights into his new film, ‘Train Dreams,’ reflecting on its emotional depth and the unique challenges of adapting the novella. They explore the film's stunning visuals, the authenticity of its logging scenes, and the changing landscape of independent filmmaking.
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Musical Moments Were Shortchanged
- Wicked for Good rushes and undercooks its musical moments, turning songs into plot vehicles rather than showstoppers.
- Juliet Litman and Sean Fennessey find the film's superhero tone and trimmed numbers undermine the stage musical's emotional core.
Literalism Undermines Mythic Ambiguity
- The film's attempt to literalize Wizard of Oz elements creates confusion and weakens thematic ambiguity.
- Sean Fennessey argues that over-explaining origins and politics of Oz robs the story of its metaphorical power.
Big Opening Can Mask Short Legs
- Strong pre-sales driven by fandom may produce a huge opening but not guarantee sustained box office.
- Sean predicts an inflated debut followed by possible steep drop without repeat viewings and sing-along momentum.
